Photo by Danielle-Claude Bélanger on Unsplash
Nothing’s wrong, exactly. You get up, you do the things, you’re decent at most of them. But the colour’s gone out of it. Things that used to light you up now just happen to you. You can’t remember the last time you laughed so hard your face hurt, or lost track of time because you were enjoying yourself. And part of you wonders if that’s just what being an adult is.
Need to talk this through right now? Figlet is an AI coach that’s there at 2 in the morning, or right now. It runs this loop with you on the Aliveness ground.
I was in my early twenties when I saw the film Amélie.
If you didn’t see it when it came out, it’s hard to convey what it felt like. It arrived before the algorithm had learned how to flatten everything. It was saturated with colour and slowness and attention. It treated small human gestures as sacred. And Amélie herself was just unmistakably herself. Creative, big-hearted, curious. She took pleasure in the little things and the small connections with other people. She was going to be herself until the world fitted her.
I was the opposite. A wild Irish lad about town. Dark, broken, funny, witty. I had an inner Amélie too, someone whose heart soared at beauty, but I was too scared to let myself be him. I was busy being my representative in the world.
I remember sitting in the cinema feeling sick to my stomach. Not moved. Not inspired. Physically unwell. Something in me tightening and dropping at the same time. When the lights came up, the people around me were smiling. My friend couldn’t understand why I was so shaken. To her it was a quirky romance.
But I knew exactly why I felt sick. I’d recognised a life I wasn’t living. Not a fantasy. A real way of being in the world that my body knew was possible, and that my protector parts had made impossible for me.
Before I explain any of it, try something. Read the next sentence slowly, let the out-breath go, and notice what happens in your body as you read it. The part of you that loves small things is still here. Don’t argue with it and don’t agree with it. Just notice where it lands, the chest, the throat, the corners of the mouth, and whether something in you warms or pulls back. Stay with that one more breath. That’s the place we’ll work from.
What’s really going on
If something in you leaned toward that sentence and then pulled back, a flicker of longing and then a “yeah, right,” notice it. Both are real. The longing is the part of you that remembers joy. The pulling back is the part that’s been keeping it at a safe distance.
That’s what I eventually understood about the night in the cinema. The sickness wasn’t envy. It was grief for a life I was living in compromise, insecurity and avoidance. Fear buries aliveness. It buries expression and authenticity under the need to read what the world rewards, what keeps us belonging, what makes sure we don’t get shamed. The cost of being your real, quirky self feels too high. Being what the world wants comes cheap.
So joy doesn’t go missing. It gets buried. Your protector parts took over the running of your life, some of them efficient and impressive, proving worth and staying ahead, some of them playing the fool or going quiet. They had good reasons. They kept you alive inside systems that didn’t reward sensitivity or slowness. But joy needs exactly what they were built to prevent: being seen wanting something, feeling something, risking something.
And we live in a culture where everything has to justify itself. Even joy gets turned into a project. Ten habits of happy people. A gratitude streak. What I mean by ecstatic living is the opposite. Being, without a project attached. You’re not watching yourself enjoy it and you’re not reaching for the next hit. Your life is unfolding and you’re all the way inside it.
So if you’ve lost your joy, you make sense. You didn’t do anything wrong. Your protectors did their job so well that they’re still doing it, long after the danger passed.
The loop, on your situation
The practice I use is one I learned from my teacher Aftab Omer, reflexive participation: what am I noticing now, how am I affected, and what creative action is being called for? Run it on a recent moment when something good was right there and you couldn’t feel it.
Get ground in your body first
Feel whatever is holding you up, the chair, the bed, the floor. Let your belly soften. Let one breath go out longer than it came in. You don’t need to feel joy right now. Just arrive.
What happened
Just the facts, present tense. “My friend is laughing at something. Everyone’s having a great time. I’m smiling and checking the clock.” No verdict about being boring or ungrateful. Just the scene.
Where it lands in the body
Your body is the first ledger. It records truth, not narrative. In that moment, where was the brake? A tight throat? Arms crossed? A heaviness that said “not for you”? Find it and stay with it for one breath. You don’t have to change it. Just know it’s there.
Who’s driving
Name the protector. The Responsible One, who can’t let anything count until the work is done. The Cynic, who decided joy was for fools. The Quiet One, who keeps you from being too much in case someone notices. Ask the loudest one what it’s afraid would happen if you let yourself be delighted, out loud, in front of people.
Trace it
Only as far as today needs. Was joy safe in your house, or was it too loud, too risky, the thing that got you laughed at? Did you learn to tone it down to fit in? Then widen it. Look at a world that pays you in output and attention, and charges you for slowness. Your nervous system adapted perfectly. Now it’s your job to notice it.
Feel it and tell someone
There’s usually grief under lost joy. For the years you were there and not there. Let it be grief, not a problem to fix. Then tell someone safe: “I don’t know where my joy went, and I miss it.” Say it to a real person, not to your journal at midnight. Notice what happens in your chest when they hear you.
One creative action
Do one small thing that would make your inner Amélie happy, and don’t tell anyone why. A detour down the prettier street. A song you loved at fourteen, played loud. Ten minutes drawing badly. Don’t post it, don’t measure it, don’t turn it into self-improvement. If the Cynic scoffs, let him. The practice is staying, not the outcome.
One thing to do tonight
Dance was my first real art form. More than soccer, more than rugby. If you’d given me the choice between being George Best or Gene Kelly, I’d have chosen Gene Kelly a hundred times out of a hundred. He was joy inside a human body. Movement without shame.
So tonight, close the door, put on one song that your body used to love, and let it move. No steps, no mirror, nobody watching. You’ll probably feel ridiculous for the first minute. That’s the protector checking whether it’s safe. Stay. Joy usually comes back through the body before the mind believes it.
Would therapy help with this?
Sometimes. Coaching is how we go from where you are now to where you want to go, and we only address the past when it emerges in the present. If your joy is buried under busyness, performance, or protectors that keep you small, coaching is the right size. We find the small places where joy is still alive and help you protect them.
But if nothing at all brings you pleasure anymore, if you feel numb or hopeless most days, or you’re just getting through, that can be depression, and it deserves real care. Please talk to a licensed therapist where you live. Reaching out isn’t a failure of willpower. It’s how you take your own life seriously.
The path
What I’ve just walked you through is the Empathi Method. For an individual, it’s built on my Proof of Work of Being Human protocol: building sovereign ground inside yourself. That ground isn’t the end goal. It’s what lets you finally be the one you were before the protectors took over, out loud, delighted, a bit ridiculous.
There are two ways to keep going. Or you can get on the list for the book and the live program with me, where we do this work together.
Figs O’SullivanFiglet Life Coaching
Get help now
Figlet is an AI coach, there at 2 in the morning or right now. It runs this loop with you on your actual situation, as often as you need. It’s coaching, not therapy. The list hears first about the book and the next live program with me.
Proof of Work, Greenleaf Book Group Press, February 2027. Not sure which ground is hurting? Take the two-minute Ground Check.
Danced for half a song and turned it off? Grand. That’s half a song more than last week. Begin again tomorrow.
I go deeper into this in my book, Proof of Work (Greenleaf Book Group Press, February 2027).
If you can’t let yourself enjoy the life you’ve built, read I forgot how to enjoy my own life. If you’re in the room but never really here, read why I can’t be present. And if your body is begging to move, what ecstatic dance taught me about being alive is for you.
Common questions
Why do I struggle to find joy?
Usually because joy got buried, not lost. Somewhere along the way, showing delight felt risky, too loud, too exposed, so protector parts learned to keep it at a distance. They’re still doing that job. Noticing which part pulls you back, with curiosity instead of criticism, starts to loosen its grip.
How do I find joy in life again?
Start in the body and start small. One song, one walk, one thing you loved as a kid, with no goal and no audience. Protect it from your phone and from your own commentary. Joy rarely comes back on command. It comes back when you make room and keep showing up.
What if I can’t find joy in anything anymore?
If the flatness has lasted weeks, if nothing lifts it, or you feel numb or hopeless, that can be depression, and it isn’t something to push through alone. Please talk to a licensed therapist where you live. If you’re thinking about hurting yourself, call or text 988.
Reflexive participation comes from the teaching of Aftab Omer at the Institute of Imaginal Studies, where I trained.





